Showing 193–240 of 363 results
Dazzling, pretty, and bright—she cheered up a cowboy’s night. Boned and lined brocade corset with narrow lace at top and wide lace at bottom features multiple vertical rows of braid. Shown with Little Blaze Star Skirt (GC30), sold separately.
Even though her mama was the town madame and dressed her accordingly, this sweet babe in later years rejected this immoral lifestyle and married a Baptist preacher. Dress features lace atop satin, a velvet center panel, and gigot sleeves.
Dazzling, pretty, and bright—she cheered up a cowboy’s night. Velvet yoked skirt is made of washable satin and edged in a satin ruffle with lace overlay.
This little lass shines bright all day. Bengaline dress is trimmed with lace on bodice and sleeves. Narrow lace and braid trim out-line bodice while the top layer of the skirt drapes over the hips. The bottom two skirts are box pleated with rolled hem on the edges giving this dress a distinctive dance hall appearance.
With aspirations to be a famed dancer, this little lady later became the toast of Virginia City. Girl’s version of Star La Rouge features tapestry bodice, off-the-shoulder straps and satin swags, all trimmed with fringe.
Even as a child she dreamt of the stage and never imagined how celebrated and rich she would one day become. Girl’s version of Jersey Lil’ features velveteen bodice, lacy gathered shoulder straps and satin skirt with lace ruffle.
A simple, yet “tough as nails” man with no hometown. The drifter sports a broadcloth shirt with a faux placket and simple cuffless sleeves. Complete the look with the Drifter Pants (EM02), sold separately.
Little Sally, like her mother, was a gracious hostess of parties and balls in the antebellum days of ease and elegance. Bengaline dress with lace trim and appliqué on center front.
When Savannah smiles the world smiles with her. Bengaline bodice with lace insert, broach, and velvet sash. Print chiffon overskirt, satin underskirt.
Her beauty was apparent even at this early innocent age. Contrasting chiffon and lace suspended from satin bows, outline its tiered skirt. Slimming velveteen bodice is topped with flattering off-the-shoulder flounce.
You can pretend to be Vivian Leigh in our little angelic southern bridal gown. Bridal satin dress with organza overskirt. Lace around neckline, waist and edge of organza overskirt. Lace center insert on bodice edged with narrow lace trim.
Too young to tend sheep, she still looks fashionable in a classic yet imaginative hooped dress featuring velveteen bodice and gathered lace. Satin skirt pulled back by two oversized velvet bows reveals lace underskirt.
Miss Lacy on her way to Virginia’s birthday party—a gala affair with homemade ice cream and dancing. Ruffled lace and velvet ribbons with rosebuds decorate lace overskirt and satin dress.
Miss Virginia Beaufort, heiress to the Seven Oaks Plantation, was known to the family and friends as simply “Ginger.” Satin and lace drape over shoulders, accented by satin flower, Velveteen bodice joins satin skirt with ruffled lace band.
Named for Scarlett and Rhett’s only child, this bonny dress captures her spirit and emotion. Organza/lace/satin sleeves and overskirt accented with rosebuds and ribbons complimented by fitted velvet/lace bodice.
In the late 1800’s famous illustrator Charles Dana Gibson created the “Gibson Girl.” She combined independence, femininity, and that much desired hourglass figure. Ribbon striped collar forms a plunging V-neck over dickey with leg-o-mutton sleeves and drop waist over flared bengaline skirt.
Tickets in hand, thoughts on a distant land. Bengaline bodice gives a criss-cross appearance with lace insert at the neckline. Can be worn with or without a dickey. Sleeves have lace insets with lace falling off each sleeve. Skirt with pie-shaped lace insets finished off with velvet bows at the top of each point.
This turn-of-the-century socialite spent much of her time and fortune entertaining. Bengaline dress features flattering bodice and peplum. Leg-o-mutton sleeves, velvet lapel and dickey trimmed with velvet ribbon, lace and a broach.
Professor Henry Higgins transformed this Cockney flower girl into his Fair Lady. Stand up lace and velvet collar, fitted bodice with satin buttons. Sleeves bell into velvet and lace while bengaline lace swag and bustle form narrow skirt.
This Grand Dame of the opera was a great Patron of the Arts. Designed to flatter the woman with fuller figure, this elegant dress features a plunging lace neckline with a broach, capping lace and ruffled sleeves. Velvet waistline drops into a lace overskirt. Dickey included.
In the late 1800’s famous illustrator Charles Dana Gibson created the “Gibson Girl.” She combined independence, femininity, and that much desired hourglass figure. Ribbon striped collar forms a plunging V-neck over dickey with leg-o-mutton sleeves and drop waist over flared bengaline skirt.
The special agent of the FBI tried his best to enforce the law on Dutch Schultz, using all his undaunted virtues to subdue the reprobate. The crisp striped cotton shirt with its stiff white collar and center placket tucked neatly into his cuffed tweed pants with pleated front and attached suspenders. Doubles as a “The Music Man” theatrical costume, as well.
Vinnie Luciano terrorized lower Brooklyn with his protection racket, government .45, and nasty sneer. Sharply dressed in his double breasted pin stripe coat with matching vest and pants, he presented a formidable figure on the city streets.
Under the condition that he stay on as consigliere to the Family, he retired from his life of violence and crime. Linen coat is fully lined; collar and lapels are trimmed with velvet ribbon. Vest is metallic brocade vest with cotton dickey and print tie, completed with matching pants.
Young men in the 40’s used the unique style and rebellious fashion of the zoot suit to set themselves off, and established a florid machismo. Knee-length pin stripe coat with exaggerated lapels and fitted waist, matching pants, and collared shirt with tie combine to give the zoot suit its world-famous look.
“Can’t repeat the past? Why, of course you can!” In spite of illegal dealings in organized crime, you can still win your lady back. The Gatsby pinstripe suit features black satin lapels on the coat and vest, accenting the debonair flair of this double-breasted ensemble.
After escaping from Huntsville prison, Clyde and his notorious partner started their ruthless crime spree. Blood thirsty, relentlessly cruel and evil, he had no heart for anyone but Bonnie. He was despicable, but not in his 20s-styled overcoat, vest, shirt, and matching pants.
The duke and duchess, landed gentry from Sussex, are embarking on their first sightseeing tour of the United States. Dressed in nineteenth-century style that reflects their refined nobility, they elicit many second looks on the streets of Baltimore and Philadelphia.
This sweet and innocent 1800s bride is in a beautiful gown (available in taffeta or washable satin) featuring long draping lace on the bodice and sleeves and a romantic open neckline.
Magnolia is decked out and ready for the Cotillion Ball. The charm and hospitality of the South in a lovely Bengaline bodice and taffeta or washable satin skirt, highlighted with a point de spree lace inset on the front of the skirt as well as on the sleeves and finished with a feminine bow to show off her decolletage.
When “nothing modest or matronly will do.” Rhett commands Scarlett to wear this elegant gown to Ashley’s Birthday to shame her in front of all society. Fitted velveteen bodice is bedecked with rhinestones and detachable ostrich feathers. Full-length velveteen dress features bustle layered with feathers. Also offers incredible versatility as a saloon Madame, Victorian socialite or Roaring 20’s starlet.
In a desperate attempt to save her beloved Tara, Scarlett tried to deceive Rhett by visiting him in this dress made from her velvet drapes. Authentic velvet and satin dress features a capped sleeve, plunging neckline, full skirt with gold/green passementerie on shoulder and belt.
Nothing is more appealing than the blue of a Mississippi Delta dawn. Brocade dress with pleated organza at neckline and over skirt. Cameo at center neckline and appliqué flowers at waistline.
”Why Katy Scarlet O’Hara…you could have any man you choose…why would you want Ashley Wilkes?” Featured in the opening scene of Gone With the Wind, this satin beauty offers a princess-line bodice, velvet waistband and organdy capped sleeves with layers and layers of organdy ruffles trimmed in lace.
Camisole top has eyelet bodice with rose at center front.
Protection of the royal family from dangers both inside and outside the borders is a job taken most seriously. Captain Theodosia Batterby leads an elite team of scientists and spies to stay a step ahead of villains at home and abroad. Her uniform allows her the high fashion standard of a Victorian lady while keeping to the rigid protocol of a Queen’s Guard officer. Matching jacket (LC138) and bicornered hat (LH87) sold separately.
Protection of the royal family from dangers both inside and outside the borders is a job taken most seriously. Captain Theodosia Batterby leads an elite team of scientists and spies to stay a step ahead of villains at home and abroad. Her uniform allows her the high fashion standard of a Victorian lady while keeping to the rigid protocol of a Queen’s Guard officer. Matching corset (LC139) and bicornered hat (LH87) sold separately.
Coco was a giddy flapper: rouged, clipped, and careening in a dance to lewd strains of a jazz quartet. One-shouldered flapper dress features diagonally layered chainette fringe over lined shimmer lame. Shoulder is adorned with a satin rose and neckline, and is finished with sequined trim.
Eliza Bennet, pressured by her family to marry for status and for money, longed for nothing more than to marry for love. Witty and independent, she finds her love in the arms of Mr. Darcy.
Under the condition that he stay on as consigliere to the Family, he retired from his life of violence and crime. Linen pants are fully lined and designed to match the Dapper Don Coat and Vest (MC142, MC143) sold separately.
Under the condition that he stay on as consigliere to the Family, he retired from his life of violence and crime. Metallic brocade vest with cotton dickey and print tie matches the Dapper Don Coat and Pants (MC142 and 144), sold separately.
Under the condition that he stay on as consigliere to the Family, he retired from his life of violence and crime. Linen coat is fully lined; collar and lapels are trimmed with velvet ribbon.
The special agent of the FBI tried his best to enforce the law on Dutch Schultz, using all his undaunted virtues to subdue the reprobate. The crisp striped cotton shirt with its stiff white collar and center placket tucked neatly into his cuffed tweed pants with pleated front and attached suspenders. Doubles as a “The Music Man” theatrical costume, as well.
The special agent of the FBI tried his best to enforce the law on Dutch Schultz, using all his undaunted virtues to subdue the reprobate. The crisp striped cotton shirt with its stiff white collar and center placket tucked neatly into his cuffed tweed pants with pleated front and attached suspenders. Doubles as a “The Music Man” theatrical costume, as well.
“Can’t repeat the past? Why, of course you can!” In spite of illegal dealings in organized crime, you can still win your lady back. The Gatsby pinstripe suit features black satin lapels on the coat and vest, accenting the debonair flair of this double-breasted ensemble. Pinstripe pants are matched to the Gatsby Jacket (MC104) and Vest (MC105).
“Can’t repeat the past? Why, of course you can!” In spite of illegal dealings in organized crime, you can still win your lady back. The Gatsby pinstripe suit features black satin lapels on the coat and vest, accenting the debonair flair of this double-breasted ensemble. Vest pairs with the Gatsby Jacket (MC104).
“Can’t repeat the past? Why, of course you can!” In spite of illegal dealings in organized crime, you can still win your lady back. The Gatsby pinstripe suit features black satin lapels on the coat and vest, accenting the debonair flair of this double-breasted ensemble.
This flamboyant artist and matchmaker utilizes all his talent for the best of entertainment. A ring master of beasts and beauties. Shirt complements the Master of Ceremonies Tailcoat (MC125) and Vest with Dickey (MC126).