Showing 1–48 of 49 results
At attention with sabre in hand, a youthful Union major general poses for a tin type photo op. Double-breasted navy twill coat is trimmed in black velvet and features brass buttons and authentic metallic braid, contrasting sash, and striped pants.
Pretending to be a major in the Confederate Army, he defends the cause with musket, pistol, and cannon. Gold velvet trim accents the grey twill double-breasted coat. Sash included.
This young lad of only 10 could only exclaim “I have but one regret: I shall not soon be able to get at the enemy.” This deluxe double-breasted coat with dickey is accented with gold collar and cuffs and features authentic metallic stars and sleeve braid.
Even young boys were enlisted in the Civil War, though barely able to lift their guns. Tunic with black velvet collar and cuffs and matching Union styled pants.
Even young boys were enlisted in the Civil War, though barely able to lift their guns. Red velvet collar and cuffs, with matching Confederate styled pants.
In antebellum Charleston, being a proper suitor to a lovely young Southern belle meant dressing the part. As a young man from a high-society landowning family, the Southern gentleman dressed appropriately in matching shirt (sold separately) and smoking jacket.
The duke and duchess, landed gentry from Sussex, are embarking on their first sightseeing tour of the United States. Dressed in nineteenth-century style that reflects their refined nobility, they elicit many second looks on the streets of Baltimore and Philadelphia.
None emerged from greater obscurity to rise to greater heights than General William Tecumseh Sherman. Under the steadying influence of Grant, Sherman was the most invincible leader Lincoln had. Double-breasted button back coat is complete with black velvet collar, dickey, shoulder patches, and cuffs. Features authentic metallic piping and braid, matching pants with stripe.
Brigadier General Ranald Mackenzie was considered by Grant “the most promising young officer in the service” and later became one of the greatest Indian fighters of the West. Double-breasted twill coat trimmed in velvet. Epaulettes accented with gold lame command the respect due a general, matched with striped Union pants.
The South needed all the trained officers it could muster to uphold the Confederacy. Grey twill coat with velvet collar and cuffs is trimmed with black braid and gold buttons and matching pants.
Lieutenant William D. Matthews, born a slave, ran a restaurant in Kansas with Susan B. Anthony’s brother. That restaurant was the head station of the Underground Railroad. After a life of helping slaves find freedom, he joined the fight officially as the first commissioned artillery officer for the Union. Velvet shoulder patches and sash, along with the stripe on his pants, identify this officer of the artillery and freedom fighter.
The patriarch of his people, he was considered the Grand Old Man of the Confederacy. Deluxe double-breasted coat with dickey accented with gold collar and cuffs. Features metallic stars and sleeve braid. Classic Confederate striped pants complete the uniform.
Captain Rhett Butler was his most dashing while entertaining the high society of Charleston. His plantation coat is constructed of fitted ivory wool that flares at the waist and is trimmed in contrasting velvet. A perfect finish to the Plantation Vest (MC55) and Pants (MC56).
Solidly Southern and anti-Yankee, the Confederate Major is determined to fight to uphold the independence of the Confederacy. Double-breasted coat features authentic cuffs, collar, and stars.
With musket in hand, the Confederate Sergeant Major prepares his men for the inevitable battle.
The last Confederate Secretary of War, General John C. Breckenridge actually improved army supply and organization in the last days of the war. His uniform featured a rugged but stylish military cape to protect against cold nights in the field.
Confederate Cavalry Captain J.E.B. Stuart, affectionately known as “Jeb,” prepares his company for an assault on the front-line position. Grey twill jacket features gold velvet epaulettes, collar, and cuffs.
A young Southern lad tries to reenact what he hears that Daddy is doing somewhere along the Dixie Line. His grey twill suit is trimmed in red velvet cuffs, collar, and pant side strips. Sash is attached at the waist.
Like father, like son. Twill suit is trimmed in red velvet cuffs, collar, and pant stripes. Sash is attached at the waist.
Little Sally, like her mother, was a gracious hostess of parties and balls in the antebellum days of ease and elegance. Bengaline dress with lace trim and appliqué on center front.
When Savannah smiles the world smiles with her. Bengaline bodice with lace insert, broach, and velvet sash. Print chiffon overskirt, satin underskirt.
Her beauty was apparent even at this early innocent age. Contrasting chiffon and lace suspended from satin bows, outline its tiered skirt. Slimming velveteen bodice is topped with flattering off-the-shoulder flounce.
You can pretend to be Vivian Leigh in our little angelic southern bridal gown. Bridal satin dress with organza overskirt. Lace around neckline, waist and edge of organza overskirt. Lace center insert on bodice edged with narrow lace trim.
Too young to tend sheep, she still looks fashionable in a classic yet imaginative hooped dress featuring velveteen bodice and gathered lace. Satin skirt pulled back by two oversized velvet bows reveals lace underskirt.
Miss Lacy on her way to Virginia’s birthday party—a gala affair with homemade ice cream and dancing. Ruffled lace and velvet ribbons with rosebuds decorate lace overskirt and satin dress.
Miss Virginia Beaufort, heiress to the Seven Oaks Plantation, was known to the family and friends as simply “Ginger.” Satin and lace drape over shoulders, accented by satin flower, Velveteen bodice joins satin skirt with ruffled lace band.
Named for Scarlett and Rhett’s only child, this bonny dress captures her spirit and emotion. Organza/lace/satin sleeves and overskirt accented with rosebuds and ribbons complimented by fitted velvet/lace bodice.
An adaptation of the dress that Rhett Butler forced Scarlett to wear to Ashley’s birthday party. Velvet bodice is bedecked with rhinestones and detachable ostrich feathers. Full satin skirt fits over hoop.
The duke and duchess, landed gentry from Sussex, are embarking on their first sightseeing tour of the United States. Dressed in nineteenth-century style that reflects their refined nobility, they elicit many second looks on the streets of Baltimore and Philadelphia.
This sweet and innocent 1800s bride is in a beautiful gown (available in taffeta or washable satin) featuring long draping lace on the bodice and sleeves and a romantic open neckline.
Magnolia is decked out and ready for the Cotillion Ball. The charm and hospitality of the South in a lovely Bengaline bodice and taffeta or washable satin skirt, highlighted with a point de spree lace inset on the front of the skirt as well as on the sleeves and finished with a feminine bow to show off her decolletage.
When “nothing modest or matronly will do.” Rhett commands Scarlett to wear this elegant gown to Ashley’s Birthday to shame her in front of all society. Fitted velveteen bodice is bedecked with rhinestones and detachable ostrich feathers. Full-length velveteen dress features bustle layered with feathers. Also offers incredible versatility as a saloon Madame, Victorian socialite or Roaring 20’s starlet.
Scarlett’s famous flirtatious fiddling with the men at the Wilkes Estate is made more memorable by this flouncy cotillion dress. Print chiffon dress over satin underskirt. Bodice is print chiffon with ruffles of beading lace and ribbon, trimmed with velvet and three velvet bows. Waistline is accented with velvet cummerbund.
This fine lady from the deep South was known throughout society as a woman of grace, wealth, and elegance. Bengaline dress offers a flattering veed waistline, full skirt, black lace trim and embroidery. Its high neckline offers modesty while its shawl sleeves make it comfortable for any woman of fine breeding.
Though envious of her marriage to Ashley, even Scarlett found it impossible to find fault with the beautiful and fine “Mellie.” Bell-shaped, boned sleeves of lace and velveteen veed bodice are highlighted by a pleated chiffon neckline.
Her many lovers have immortalized her grace and beauty. As the courtesan once observed “Vice is seldom clad in rags.” Contrasting chiffon and lace suspended from satin bows outline its tiered skirt. Slimming velveteen bodice is topped with flattering off-the-shoulder flounce.
Sweet but sassy, Savannah spent summery Sundays socializing with stalwart southern soldiers. Chiffon ruffled sleeves, joined by lace bodice inset, fall into velvet cummerbund and floral skirt.
In a desperate attempt to save her beloved Tara, Scarlett tried to deceive Rhett by visiting him in this dress made from her velvet drapes. Authentic velvet and satin dress features a capped sleeve, plunging neckline, full skirt with gold/green passementerie on shoulder and belt.
An adaptation of the dress that Rhett Butler forced Scarlett to wear to Ashley’s birthday party. Velvet bodice is bedecked with rhinestones and detachable ostrich feathers. Full satin skirt fits over hoop.
This South Carolina beauty turns the head of many a potential gentleman caller in her Southern Romance Robe Dress. Whether she is attending a high-society cotillion or strolling down Meeting Street to the Charleston City Market, her dress sets her apart. Breezy yet elegant, the robe dress embodies the charm of the Old South.
Nothing is more appealing than the blue of a Mississippi Delta dawn. Brocade dress with pleated organza at neckline and over skirt. Cameo at center neckline and appliqué flowers at waistline.
Scarlett, in a jealous snit, marries Charles Hamilton who leaves for war and conveniently (for Scarlett) dies of measles. But Scarlett does look good enough to die for in her antebellum gown. Double-row scalloped lace accents neckline while fitted bodice flows into drop waist. Organdy and lace overskirt reflects scalloped edge over satin and is highlighted by hand made crepe back satin bows.
Her gentle southern beauty radiates in this full length taffeta dress accented with delicate white lace on the sleeves, waist and bosom.
Pretty as a picture, this belle from the Shenandoah Valley has a taffeta gown with a simple yet elegant plunging neck line adorned with lace.
She may have lost her sheep but she is still fashionable in a classical yet imaginative hooped dress featuring slimming velveteen bodice and gathered lace over the neckline, drawn together by satin rose. Satin skirt pulled back by two oversized velvet bows reveals lace underskirt.
”Why Katy Scarlet O’Hara…you could have any man you choose…why would you want Ashley Wilkes?” Featured in the opening scene of Gone With the Wind, this satin beauty offers a princess-line bodice, velvet waistband and organdy capped sleeves with layers and layers of organdy ruffles trimmed in lace.
Daughter of Melanie “Mellie” Wilkes, beautiful and kind just like her mother. Pleated collar lace over bengaline yoke and upper sleeve. Velvet collar and belt accentuate bengaline dress.
The toast of the Confederacy and of her Daddy’s heart, Little Scarlett would grow up to break the hearts of many. Girl’s version of Scarlett party dress. Can be worn over Pollyanna’s Petticoat.