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At the medieval castle, her outfit would be incomplete without the narrow hoop. Satin hoop with one bone around the bottom.
The duke and duchess, landed gentry from Sussex, are embarking on their first sightseeing tour of the United States. Dressed in nineteenth-century style that reflects their refined nobility, they elicit many second looks on the streets of Baltimore and Philadelphia.
Her gentle southern beauty radiates in this full length taffeta dress accented with delicate white lace on the sleeves, waist and bosom.
Pretty as a picture, this belle from the Shenandoah Valley has a taffeta gown with a simple yet elegant plunging neck line adorned with lace.
This South Carolina beauty turns the head of many a potential gentleman caller in her Southern Romance Robe Dress. Whether she is attending a high-society cotillion or strolling down Meeting Street to the Charleston City Market, her dress sets her apart. Breezy yet elegant, the robe dress embodies the charm of the Old South.
Nothing is more appealing than the blue of a Mississippi Delta dawn. Brocade dress with pleated organza at neckline and over skirt. Cameo at center neckline and appliqué flowers at waistline.
A picture of elegance, whether descending the grand staircase at Tara or making an entrance at Twelve Oaks, Scarlett commands the attention of not just Rhett, but anyone who is lucky enough to catch her eye. Scarlett’s Portrait Dress (LC158), featuring a full skirt, off-the-shoulder elasticized puff sleeves, and a button detail along the pleated bustline, is a portrait in itself.
Scarlett’s famous flirtatious fiddling with the men at the Wilkes Estate is made more memorable by this flouncy cotillion dress. Print chiffon dress over satin underskirt. Bodice is print chiffon with ruffles of beading lace and ribbon, trimmed with velvet and three velvet bows. Waistline is accented with velvet cummerbund.
When “nothing modest or matronly will do.” Rhett commands Scarlett to wear this elegant gown to Ashley’s Birthday to shame her in front of all society. Fitted velveteen bodice is bedecked with rhinestones and detachable ostrich feathers. Full-length velveteen dress features bustle layered with feathers. Also offers incredible versatility as a saloon Madame, Victorian socialite or Roaring 20’s starlet.
This fine lady from the deep South was known throughout society as a woman of grace, wealth, and elegance. Bengaline dress offers a flattering veed waistline, full skirt, black lace trim and embroidery. Its high neckline offers modesty while its shawl sleeves make it comfortable for any woman of fine breeding.
Though envious of her marriage to Ashley, even Scarlett found it impossible to find fault with the beautiful and fine “Mellie.” Bell-shaped, boned sleeves of lace and velveteen veed bodice are highlighted by a pleated chiffon neckline.
Her many lovers have immortalized her grace and beauty. As the courtesan once observed “Vice is seldom clad in rags.” Contrasting chiffon and lace suspended from satin bows outline its tiered skirt. Slimming velveteen bodice is topped with flattering off-the-shoulder flounce.
Sweet but sassy, Savannah spent summery Sundays socializing with stalwart southern soldiers. Chiffon ruffled sleeves, joined by lace bodice inset, fall into velvet cummerbund and floral skirt.
In a desperate attempt to save her beloved Tara, Scarlett tried to deceive Rhett by visiting him in this dress made from her velvet drapes. Authentic velvet and satin dress features a capped sleeve, plunging neckline, full skirt with gold/green passementerie on shoulder and belt.
An adaptation of the dress that Rhett Butler forced Scarlett to wear to Ashley’s birthday party. Velvet bodice is bedecked with rhinestones and detachable ostrich feathers. Full satin skirt fits over hoop.
Shy as Pollyanna might be, even she would be proud to show off her four tiered petticoat of washable satin. This heavy-duty metal boned hoop slip will flatter any southern belle. To be worn with all southern belle dresses.
Scarlett, in a jealous snit, marries Charles Hamilton who leaves for war and conveniently (for scarlett) dies of measles. But Scarlett does look good enough to die for in her antebellum gown. Double-row scalloped lace accents neckline while fitted bodice flows into drop waist. Organdy and lace overskirt reflects scalloped edge over satin and is highlighted by hand made crepe back satin bows.
She may have lost her sheep but she is still fashionable in a classical yet imaginative hooped dress featuring slimming velveteen bodice and gathered lace over the neckline, drawn together by satin rose. Satin skirt pulled back by two oversized velvet bows reveals lace underskirt.
”Why Katy Scarlet O’Hara…you could have any man you choose…why would you want Ashley Wilkes?” Featured in the opening scene of Gone With the Wind, this satin beauty offers a princess-line bodice, velvet waistband and organdy capped sleeves with layers and layers of organdy ruffles trimmed in lace.