Showing 433–441 of 441 results
Though envious of her marriage to Ashley, even Scarlett found it impossible to find fault with the beautiful and fine “Mellie.” Bell-shaped, boned sleeves of lace and velveteen veed bodice are highlighted by a pleated chiffon neckline.
Her many lovers have immortalized her grace and beauty. As the courtesan once observed “Vice is seldom clad in rags.” Contrasting chiffon and lace suspended from satin bows outline its tiered skirt. Slimming velveteen bodice is topped with flattering off-the-shoulder flounce.
Sweet but sassy, Savannah spent summery Sundays socializing with stalwart southern soldiers. Chiffon ruffled sleeves, joined by lace bodice inset, fall into velvet cummerbund and floral skirt.
In a desperate attempt to save her beloved Tara, Scarlett tried to deceive Rhett by visiting him in this dress made from her velvet drapes. Authentic velvet and satin dress features a capped sleeve, plunging neckline, full skirt with gold/green passementerie on shoulder and belt.
An adaptation of the dress that Rhett Butler forced Scarlett to wear to Ashley’s birthday party. Velvet bodice is bedecked with rhinestones and detachable ostrich feathers. Full satin skirt fits over hoop.
Shy as Pollyanna might be, even she would be proud to show off her four tiered petticoat of washable satin. This heavy-duty metal boned hoop slip will flatter any southern belle. To be worn with all southern belle dresses.
Scarlett, in a jealous snit, marries Charles Hamilton who leaves for war and conveniently (for scarlett) dies of measles. But Scarlett does look good enough to die for in her antebellum gown. Double-row scalloped lace accents neckline while fitted bodice flows into drop waist. Organdy and lace overskirt reflects scalloped edge over satin and is highlighted by hand made crepe back satin bows.
She may have lost her sheep but she is still fashionable in a classical yet imaginative hooped dress featuring slimming velveteen bodice and gathered lace over the neckline, drawn together by satin rose. Satin skirt pulled back by two oversized velvet bows reveals lace underskirt.
”Why Katy Scarlet O’Hara…you could have any man you choose…why would you want Ashley Wilkes?” Featured in the opening scene of Gone With the Wind, this satin beauty offers a princess-line bodice, velvet waistband and organdy capped sleeves with layers and layers of organdy ruffles trimmed in lace.